From the Worldwide Faith News archives www.wfn.org


Title: Scars of memory: artist responds to Rwandan genocide


From "WCC Media" <Media@wcc-coe.org>
Date Mon, 08 Sep 2003 11:07:57 +0200

World Council of Churches
Feature 03-10
For Immediate Use
8 September 2003

Scars of memory: 
an artist responds to the Rwandan genocide  

A major exhibition by the Ghanaian painter and sculptor Kofi Setordji is on
display in the Ecumenical Centre in Geneva, headquarters of the World Council
of Churches.  

"The Scars of Memory" is his response to the Rwandan genocide of 1994, when
800,000 people were killed in 100 days.  

Comprising installations in wood, metal and clay, its centrepiece is a bed of
earth some 12ft square in which are set clay masks, recalling a mass grave. A
vulture in metal hovers overhead.   

Other works show masks with numbers cut into their foreheads and wires bound
across their eyes. These are statistics, rendered impersonal and  powerless
by the perpetrators of genocide.  

Some of the work is bitterly satirical. Wooden abstracts of three busts with
a human skull in front of them marked "Exhibit" are captioned, "Judges: what
part did you play?" Sentries stand guard over a defenceless population, but
they stand in coffins rather than sentry-boxes. "Political, religious,
military leaders - masquerades" depicts figures whose breasts are boxes with
hinged doors, open to see that inside they are heartless and hollow.  

One of the most powerful works is an untitled wooden figure, one massively
powerful arm hanging down with its fist clenched, ready to strike. The
pointing left hand holds scales of justice, empty but weighted down on one
side. It is topped by a metal face with pitiless eyes but no mouth; there is
nothing to say to the victims.	

Speaking at the opening of the exhibition held during the World Council of
Churches' Central Committee on 26 August, Dr Wilfried Steen of the Church
Development Service (EED) of the Evangelical Church in Germany, which
sponsored the event, said: "The unimaginable cruelty of the events in Rwanda
during the massacres of the civil war needs artistic creativity and integrity
to allow some form of coming to terms with the recent past. No healing of
memories will be possible without this challenge of comprehension."  

In his own speech, Setordji said, "Nine years ago I was traumatised by the
images on TV of genocide in Rwanda, and that brought into being the creation
of this exhibition.   

"I have dedicated this work to all genocide victims in the world."  

 Addressing Central Committee members, "I trust when you go back to your
country you will encourage others never to be part of the crowd of passive
onlookers, but to take a stand in the name of peace and human dignity," he
said.	

Later, Setordji spoke of seeing images of refugees in Goma and corpses
floating in Lake Ituri: "Seeing all those dead bodies, like discarded
wrapping paper, I had to ask, 'How can this happen in the 20th century?' 
These people died for nothing.	 

"And I questioned the whole system which let people kill, and then punished
them, but didn't judge those who fuelled the killing - the arms dealers, and
the major powers playing off one power against another."   

Setordji believes that the actions of the Hutu killers were possible because
they lost their sense of individual responsibility in the actions of a group.
Describing this as a "sickness", he said that "The main goal of the
exhibition is to let people come face to face with themselves, and say, 'We
too have this disease.' We want to eradicate polio, but we don't want to look
at ourselves."	 

 "This happened because people use human beings as chess pieces. It was in
no-one's interest to stop it," he continued.  

"But I want this exhibition to be a 'stop' sign. It will set people thinking:
this is not about two ethnic groups, or about the African continent  - it is
about humans."	   

Speaking of the part played in his work by prayer, Setordji said: "God
created the world. The key is that God created in his own image. He took clay
and water, and breathed the breath of life into it. In our work, we too add
creativity, and so we are in the image of God."   

The exhibition at the Ecumenical Centre comprises only a third of Setordji's
work on the Rwandan theme, created over a period of two and a half years of
intense labour.    

First seen at the Berlin Ecumenical Kirchentag in June, the exhibition is in
Geneva until 24 September, and will be in Kigali, Rwanda from 2-15 April
2004.	

For further information, please contact the Media Relations Office, tel: +41
(0)22 791 64 21 / 61 53

**********

The World Council of Churches (WCC) is a fellowship of churches, now 342, in
more than 100 countries in all continents from virtually all Christian
traditions. The Roman Catholic Church is not a member church but works
cooperatively with the WCC. The highest governing body is the assembly, which
meets approximately every seven years. The WCC was formally inaugurated in
1948 in Amsterdam, The Netherlands. Its staff is headed by general secretary
Konrad Raiser from the Evangelical Church in Germany.

World Council of Churches
Media Relations Office
Tel: (41 22) 791 6153 / 791 6421
Fax: (41 22) 798 1346
E-mail: media@wcc-coe.org 
Web: www.wcc-coe.org 

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